This is a concept any Photoshop user is familiar with, and AfterShot makes it simple and fuss-free. If you’re looking to make more selective adjustments, you need to start working with layers. It’s a different tool with a similar name, because it’s based on the same technology-but when used for noise removal, I found that it works well.īy default, all of these adjustments will affect the image as a whole. The Perfectly Clear moniker makes another appearance, this time under the Detail tab where it’s used for noise removal. Dig in, and you’ll find curve adjustment tools, color correction and balance, exposure controls, and more. There’s a vertical tool pane running across the window’s right side with clearly labeled tabs such as Tone, Details, and Metadata. It was not as impressive as I’d hoped.Īn image with Perfectly Clear applied (right) and without (left).įortunately, image adjustments are easy to make. This button is supposed to quickly optimize your images-sort of like Picasa’s I’m Feeling Lucky feature-but in actual use, I found that it mainly lightened images and made them more contrasty. Combined with AfterShot’s robust support for RAW images, this makes for a fun editing playground.ĪfterShot Pro 2 comes with a tempting button labeled Perfectly Clear. AfterShot lets you compare these versions side by side and adjust each independently-and when browsing your photo collection in thumbnail mode, you can stack image versions so they only take up a single thumbnail. Non-destructive editing also means you can easily create multiple versions of a given image and try out different adjustments. Image versioning takes some getting used to but comes in handy. Any changes you make are fully reversible, since they’re saved alongside the original image in an XMP file. Working directly on the disk makes for very fast browsing, and you still get to enjoy one of AfterShot’s key features: non-destructive editing. You can choose whether you want AfterShot to import your photos into a database or work on the folder structure you already have on the disk (similar to what Picasa does). Now shut down and restart Corel ASP again to register the camera profile with the program and you should be good to go.Thumbnails load quickly, and it’s easy to switch between different viewing modes. Is where you click to start downloading the particular camera profile, which I previously did.Click on the camera and you should see a dropdown with any special version information. Is the line for the selected camera, in my case the EOS M50.In the case of Canon CR3 RAW file cameras, they should be at the bottom of the list, and may have a red star by them. After that are the camera Manufacturer names, and you may have to click on them to open the list of cameras to load. Left-Click on the tab and look for "Camera Profiles", which should be at the top. Scroll down if needed until you see the red star and "Get More" tab. On the far right of the default Corel ASP user interface see the tabs, starting with the "Standard" tab at the top. Gracefully shut down Corel ASP and then start it again. Let the software proceed with the update process, if necessary. Start Corel ASP and go to Help and then "Check for Updates". Long story short, I have a solution for many newer Canon cameras which are supported under Corel ASP version 3.7.0.466.įirst, make sure you can get online with the computer running an earlier version of Corel ASP version 3. when I googled the Corel User Groups I found a reference that seemed to indicate the M50 "was" finally supported, but you had to use the "Get More" tab and facility built into Corel ASP 3 itself. I checked the Corel online list of supported cameras today and was flabbergasted that the M50 still appeared to be missing from the list, but. But then I purchased an EOS M50, and I was disappointed that it's CR3 RAW files were not supported by Corel ASP. I purchased Corel AfterShot Pro (ASP) Version 3 some time ago, and RAW files worked fine from my EOS 5 Mark II, EOS 5 Mark III, EOS 5 Mark IV, and EOS 80D bodies.
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